Thursday, September 01, 2011
Komen Ribbon Completed
Tuesday, May 18, 2010
A R Ammons - a poet I discovered.....
Saturday, February 13, 2010
Time and Strength Slip Through our Fingers.
but that was not it.
Hearing those rattling cages, I gather my recent work in my “From dust to Dust” series has created quite a stirring reaction from many of you, . Good!
I have been stirred up and the work is a bi-product….but the motivation behind the work may not be what you may think. I am passionate about the stunning reality of the transformations and troubles of the unsettled dust of the past several months because…
“She held out her arms and pulled me toward her…. “
In mid- December a woman arrived to be a guest in my home for the holidays. She is an unbelievable delight..always an encouragement. For one she has always been the one who said I could do anything. She was my first art patron. Everyone has a mother, even artists.
At the time of her recent arrival, she seemed more unsteady on her feet than at her last visit. As the month past, her ability to walk declined rapidly, until now her walker is her constant companion.
Her falls began daily as she would attempt to rise or sit or turn, until I stood guard spotting for her at each step. When she collapsed in my arms, I then understood I could not support her with my strength nor was I capable of being her main and only guard.
I saw time and strength slip through our fingers.
It is out of this context and the ensuing struggle that my new series “From Dust to Dust” took shape. As I wrapped my arms around her frail body and bathed her back while she clawed herself through the day in and out of her bed or chair, I saw time and strength slip through our fingers.
I ask why. I hear reasons, but they are not fitting into our Madison Avenue view of life. They are not tidy. My religious conviction prepared me, but only the reality of being with her gave me understanding.
At night, I tucked her into her covers, she held out her arms and pulled me toward her to gently kiss me with her quivering lips, holding me so tightly for ever so long … then whispering, “Thank you, Judy;… I love you.”
Yes from dust we came yet, most assuredly to dust we will return. While “From Dust” may declare the glory of our bodies, “Fallen Again,” returns us to the troubles of living in a world gone awry.
My mother had to move to a place where she could be assisted with every task and where staff were prepared to carry her.
Wednesday, October 14, 2009
Tuesday, October 13, 2009
Reflections with One Vision- Portraiture

I had some reflections on a wonderful discussion panel this past Friday evening at the Charles Allis Art Museum on which Graeme Reid, Michael Foster, Kattie Musloff and her dear 87 year model where members.
Though I have been a landscape painter most of my career as a painter, I have a fascination with figure work and portraiture for the very reasons they discussed that night.
Particularly, I was attracted to how Katie made her models part of her life. So often as painters we are loners who paint forms or respond to forms as if they were inanimate and we are the ones who give them life in our art. Perhaps, that is what Graeme was referring , when he asked about "objectivity" as a necessity for an artist.
I do at times appreciate when artists take a dis-interesting object and infuse it with life; i.e. paint something ugly beautifully. Nevertheless, while, I, as did the panel, recognize the need for an artist to have an objective technical understanding of the painting before him and in some measure an objective view of what painting is about in general, I often fail to be intrigued by the commonly clinical-like-view that is respected among my contemporary artists when discussing their work "objectively" or mechanically.
What appealed to me in Katie's work was the personal response and respect she maintains for and toward her models... who often become her friends. You may ask what does that have to do with painting or making great art.
In Katie's personal engagement with her models she is able sensitively to begin to connect with the humanity of her model/friends not through a mechanical process but through the her own body kinetically, perceptively and personally in drawing and painting responding to the humanity and life in her subjects before her.
I think that is what made Rembrandt great. Not only was his mind able to connect psychologically with the humanity or soul of his subject, his hand was able to kinetically capture not just the physical likeness but more significantly articulate/capture the soul or humanity before him. That is not objective, but subjective response at its best. His sensibilities matched by his skill, touch a chord that resonates over time and communicates only in the way great art does in truth. This phenomena is the attraction in making paintings and why painting and drawing will never die.
As for myself and my drawings of my mother, I found my line drawings to be very much a kinetic response to my feelings for her and about her. They go beyond a mere likeness. I felt a connection to her moods and her dilemma as an aging woman. I felt elegance and brokenness. I connected in my body with her in my physical response of making art.
What I like about my opportunity with the Lake Country Ten Artist Ten Poets One Vision Project is being able to share my painting “Leaves” based on my drawings of my mother in collaboration and response to my poet, Paula Anderson who has similar sensibilities in writing. In this project, I feel the joy and exhilaration of meaningful human connection as well as the pleasure of kinetic response in painting.
I hope you can join us this Saturday, October 17, at 7 pm at the Raven Gallery in Pewaukee, WI
Judith
Sunday, June 28, 2009
Do any of you have an item you just can't throw away? Well so do I. OR is it Junk and I am in denial?
Monday, June 22, 2009
34/40 Paintings a Day for 40 Consecutive Days- Birthday Girl II
6" x 7.25"
Watercolor on Paper
$75
This has been a tough Father's day.
My darling, my heart.
"But Zion said, 'The Lord has forsaken me,
the Lord has forgotten me.'
' Can a mother forget the baby at her breast
and have no compassion on the child she has borne?
Though she may forget,
I will not forget you!
See, I have engraved you on the palms of my hands;
your walls are ever before me...'
Isaiah 49:14f
Sunday, June 21, 2009
A Son, a Dad, and a Treasured Friend
You are receiving this mail because someone read a page at
The Story from American Public Media
and thought it might interest you.
It is sent by judithreidy@sbcglobal.net with the following comment:
"I heard this program this past Friday and thought it presented two stunning stories, one about a father's love for his children and the second the desire of a young man's love for his father. I found it very interesting how the young man grew up always longing for time with a busy father who left the family when he was seven. It was interesting how the father and he came together when the father retired.
Listen to the stories yourself."
A Son, a Dad, and a Treasured Friend
A father of eleven reunites with the man who helped him settle and gain citizenship in the States. Also, the restoration of an old building brings life back to a father-son relationship.
http://thestory.org/archive/the_story_799_Braceros_Diploma.mp3/mediafile_view
--
webmaster
Tuesday, June 16, 2009
29/40 of 40 Consecutive Paintings a Day - Kelly Lake Dock

Kelly Lake Dock
8" x 6"
Watercolor on Paper
$75
Today, I took my small inflatable boat onto to Kelly Lake, rowed across the lake and tied my boat to a raft and began this painting. I worked on it until the rain came down heavily.
Then I rowed to shore loaded the boat and went home.
This secluded lake is a hidden gem in Hales Corners... my little Eden where I can go to decompress.
Monday, June 15, 2009
Appeal to Find our Lost Cat - Oliver

Indoor Cats can get very scared when they are lost outside, CATATONIC scared.
They try to hide in bushes or in some secluded site. They are often so afraid that they won’t come near even their owners. They can scratch or bite out of fear. Oliver, our cat, normally is very loving and gently persistent, but has a skittish nature in strange new environments...like being outside or with strangers. Normally he hides when strangers visit. He has been friendly with a few.
If you see him,
please call us at 414-529-1624
We live at
5715 South 115th Street
Hales Corners, WI
Sunday, June 14, 2009
Tuesday, June 09, 2009
Painting 22 of the 40 Consecutive Painting a Day Challenge - Road Uphill at Malin Head 2
Thursday, May 21, 2009
Painting A Day 3/40 Abandoned Home
6" X 8"
oil on panel
$75
to Purchase contact Artist
This lonely old structure was lay empty on the side of the road in Malin Head on Inishowen Pennisula of Donegal of the Republic of Ireland.
I remember walking through it on the worn floor and looking at the ashen fireplace. thinking people lived in here, ate their meals, slept, made love and maybe placed flowers on the widow sill.
Yet now it was empty....abandoned perhaps because of fire in the chimney or in their hearts.
What secrets do these silent walls have to tell?
This is painting 3 of 40 in the 40 consecutive day challenge.
Wednesday, May 13, 2009
In a Moment
Though many of you have commented about the beautiful thoughts in my poems, which I appreciate, I do not want to give you an unbalanced picture.
Mothers are human... that is not paragons of virtue as some greeting cards would indicate.
In a moment
By discord, sweetness is broken
Words like arrows pierced
Defeated heart
Deflated
Weak knees
Sick feelings inside
Thwarted desire
to heal
to reach out
the broken.
there...
left
on the ledge
alone
No
fullness
just
skin and bone
bitter.
BUT
I forgot
...loved
I am.
...nevertheless
Monday, November 17, 2008
Legacy of Life Endured in the Light of Lightweight PR

November 17, 2008
I have not made many thoughtful entries in this particular blog as well as my other blogs recenty, partly because life has taken hold of me and driven me to pursue other avenues of communication.
I am trying to be practical and pursue marketing my artwork and my arts administration opportunities, while I paint on deadlines for exhibition's where I intend to sell my work. I arrange exhibitions for other artists and serve as a website facilitator for a gallery while at the same time I am starting an entirely new business this fall which is in itself an exciting adventure. In addition, I have a son who as a senior in high school needs my chauffeuring to his events like football practice, games until he positions himself to acquire his driver's license.etc.
Part of me is very glad I am dizzyingly busy. So busy, I cannot feel the separation of growing children as acutely. My life had been my children, my family. Discussion and activism in geopolitical issues or developing a body of artwork and even building my new company hold a measure of importance in my life. They, I understand have their particular unique fascination, but I recognize that they do not nor cannot occupy the same place in my heart and dreams as do the people in my family, my kin. Even as I have tried to fill my life with these other things, my longing for my family being a community one in spirit and heart has never diminished. The pain of my family’s growing diaspora gnaws at my soul, draining the life from me. The more I do to bring things together the more acutely aware I am of my family member’s desire to be removed from one another, their home and their roots, their parents. Perhaps this is just an inevitable but passing transition into adulthood for them. But I wonder if it is in fact what I have come to see it as that fruit of the fickle reward of wealth, education and upward mobility, the dream of the American way. Little did we know how much we cast aside when we set our children on the American path of success when we should have inculcated love and tenderness toward one another rather than ambition and adventure.
How does this relate to my art? My technical art skill has improved greatly over the years.. My art imagery has not drawn its ideas from my family as much as from the dream of community lived in the light of truth and love.
I am afraid to place my mind’s eye on the pain of separation for hours on end while I focus on meticulously painting of a “telling story of separation and fracture.” Besides who wants to buy a painting of a “telling a story of separation and fracture?”
Lately I think I may have a new opportunity to “tell the truth in a life story full of pathos amidst hope,” now that my mother, who is in her declining mid eighty’s, has come to stay with me for an extended visit. I see I can compassionately tell a story of separation and fracture.” Somehow, this story, which is so real before me in its human frailty, is striking with hope and beauty because I can be a part of her life at this time. I can laugh and cry and with her and she with me.
I will, in the next months, begin drawing and painting her and her aging friends and surviving brother, etching lines in a legacy of friendship and endurance that I have been privileged to experience through the life of my mother, whom my children have called “Grandma.”
Judith