Showing posts with label loss of family connection. Show all posts
Showing posts with label loss of family connection. Show all posts

Thursday, September 01, 2011

Komen Ribbon Completed

Front of Friends

Back of Friends

Here are the finished Ribbons without the base. The ribbon to be on display at the local Kohl's Department Store in Oak Creek in September and October, accept for a time where this sculpture and others will be along the route of the Susan G. Komen Race for the Cure, September 25th. At the end of October there will be a national auction of the 17 sculptures, including my , Judith Reidy's 'Friends'.

I hope that my sculpture, Friends, will end up in a hospital or cancer care center to serve as an inspiration and encouragement to cancer patients and their families.
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Tuesday, May 18, 2010

A R Ammons - a poet I discovered.....

Ammons, the American poet, had a brother who died at a young age....the event shaped his life....
The pair of birds in flight ...their tested routes .....their return and return.....
consider the authors journey....'

Easter Morning

A. R Ammons

I have a life that did not become,
that turned aside and stopped,
astonished:
I hold it in me like a pregnancy or
as on my lap a child
not to grow old but dwell on

it is to his grave I most
frequently return and return
to ask what is wrong, what was
wrong, to see it all by
the light of a different necessity
but the grave will not heal
and the child,
stirring, must share my grave
with me, an old man having
gotten by on what was left

when I go back to my home country in these
fresh far-away days, its convenient to visit
everybody, aunts and uncles, those who used to say,
look how hes shooting up, and the
trinket aunts who always had a little
something in their pocketbooks, cinnamon bark
or a penny or nickel, and uncles who
were the rumored fathers of cousins
who whispered of them as of great, if
troubled, presences, and school

teachers, just about everybody older
(and some younger) collected in one place
waiting, particularly, but not for
me, mother and father there, too, and others
close, close as burrowing
under skin, all in the graveyard
assembled, done for, the world they
used to wield, have trouble and joy
in, gone

the child in me that could not become
was not ready for others to go,
to go on into change, blessings and
horrors, but stands there by the road
where the mishap occurred, crying out for
help, come and fix this or we
cant get by, but the great ones who
were to return, they could not or did
not hear and went on in a flurry and
now, I say in the graveyard, here
lies the flurry, now it cant come
back with help or helpful asides, now
we all buy the bitter
incompletions, pick up the knots of
horror, silently raving, and go on
crashing into empty ends not
completions, not rondures the fullness
has come into and spent itself from

I stand on the stump
of a child, whether myself
or my little brother who died, and
yell as far as I can, I cannot leave this place, for
for me it is the dearest and the worst,
it is life nearest to life which is
life lost: it is my place where
I must stand and fail,
calling attention with tears
to the branches not lofting
boughs into space, to the barren
air that holds the world that was my world

though the incompletions
(& completions) burn out
standing in the flash high-burn
momentary structure of ash, still it
is a picture-book, letter-perfect
Easter morning: I have been for a
walk: the wind is tranquil: the brook
works without flashing in an abundant
tranquility: the birds are lively with
voice: I saw something I had
never seen before: two great birds,
maybe eagles, blackwinged, whitenecked
and headed, came from the south oaring
the great wings steadily; they went
directly over me, high up, and kept on
due north: but then one bird,
the one behind, veered a little to the
left and the other bird kept on seeming
not to notice for a minute: the first
began to circle as if looking for
something, coasting, resting its wings
on the down side of some of the circles:
the other bird came back and they both
circled, looking perhaps for a draft;
they turned a few more times, possibly
risingat least, clearly resting
then flew on falling into distance till
they broke across the local bush and
trees: it was a sight of bountiful
majesty and integrity: the having
patterns and routes, breaking
from them to explore other patterns or
better ways to routes, and then the
return: a dance sacred as the sap in
the trees, permanent in its descriptions
as the ripples round the brooks
ripplestone: fresh as this particular
flood of burn breaking across us now
from the sun.

Saturday, February 13, 2010

Time and Strength Slip Through our Fingers.

Fallen for You

From Dust

Fallen Again
I began in the previous post...."As I have explored the effects of light burning away the mists, I have considered what it is in the imagery that has fascinated me..."

but that was not it.

Hearing those rattling cages, I gather my recent work in my “From dust to Dust” series has created quite a stirring reaction from many of you, . Good!

I have been stirred up and the work is a bi-product….but the motivation behind the work may not be what you may think. I am passionate about the stunning reality of the transformations and troubles of the unsettled dust of the past several months because…

“She held out her arms and pulled me toward her…. “

In mid- December a woman arrived to be a guest in my home for the holidays. She is an unbelievable delight..always an encouragement. For one she has always been the one who said I could do anything. She was my first art patron. Everyone has a mother, even artists.

At the time of her recent arrival, she seemed more unsteady on her feet than at her last visit. As the month past, her ability to walk declined rapidly, until now her walker is her constant companion.

Her falls began daily as she would attempt to rise or sit or turn, until I stood guard spotting for her at each step. When she collapsed in my arms, I then understood I could not support her with my strength nor was I capable of being her main and only guard.

I saw time and strength slip through our fingers.

It is out of this context and the ensuing struggle that my new series “From Dust to Dust” took shape. As I wrapped my arms around her frail body and bathed her back while she clawed herself through the day in and out of her bed or chair, I saw time and strength slip through our fingers.

I ask why. I hear reasons, but they are not fitting into our Madison Avenue view of life. They are not tidy. My religious conviction prepared me, but only the reality of being with her gave me understanding.

At night, I tucked her into her covers, she held out her arms and pulled me toward her to gently kiss me with her quivering lips, holding me so tightly for ever so long … then whispering, “Thank you, Judy;… I love you.”

Yes from dust we came yet, most assuredly to dust we will return. While “From Dust” may declare the glory of our bodies, “Fallen Again,” returns us to the troubles of living in a world gone awry.

My mother had to move to a place where she could be assisted with every task and where staff were prepared to carry her.



Wednesday, October 14, 2009

Judith Reidy in One Vision at the Raven Gallery

Our gathering should provide an enriching and interesting evening this Saturday, October 17, 2009, at the Raven Gallery: the spot light being the reading of the poems by the poets and the presentation of the accompanying paintings.

Hope to see you there.

Tuesday, October 13, 2009

Reflections with One Vision- Portraiture



I had some reflections on a wonderful discussion panel this past Friday evening at the Charles Allis Art Museum on which Graeme Reid, Michael Foster, Kattie Musloff and her dear 87 year model where members.

Though I have been a landscape painter most of my career as a painter, I have a fascination with figure work and portraiture for the very reasons they discussed that night.

Particularly, I was attracted to how Katie made her models part of her life. So often as painters we are loners who paint forms or respond to forms as if they were inanimate and we are the ones who give them life in our art. Perhaps, that is what Graeme was referring , when he asked about "objectivity" as a necessity for an artist.

I do at times appreciate when artists take a dis-interesting object and infuse it with life; i.e. paint something ugly beautifully. Nevertheless, while, I, as did the panel, recognize the need for an artist to have an objective technical understanding of the painting before him and in some measure an objective view of what painting is about in general, I often fail to be intrigued by the commonly clinical-like-view that is respected among my contemporary artists when discussing their work "objectively" or mechanically.

What appealed to me in Katie's work was the personal response and respect she maintains for and toward her models... who often become her friends. You may ask what does that have to do with painting or making great art.

In Katie's personal engagement with her models she is able sensitively to begin to connect with the humanity of her model/friends not through a mechanical process but through the her own body kinetically, perceptively and personally in drawing and painting responding to the humanity and life in her subjects before her.

I think that is what made Rembrandt great. Not only was his mind able to connect psychologically with the humanity or soul of his subject, his hand was able to kinetically capture not just the physical likeness but more significantly articulate/capture the soul or humanity before him. That is not objective, but subjective response at its best. His sensibilities matched by his skill, touch a chord that resonates over time and communicates only in the way great art does in truth. This phenomena is the attraction in making paintings and why painting and drawing will never die.


As for myself and my drawings of my mother, I found my line drawings to be very much a kinetic response to my feelings for her and about her. They go beyond a mere likeness. I felt a connection to her moods and her dilemma as an aging woman. I felt elegance and brokenness. I connected in my body with her in my physical response of making art.

What I like about my opportunity with the Lake Country Ten Artist Ten Poets One Vision Project is being able to share my painting “Leaves” based on my drawings of my mother in collaboration and response to my poet, Paula Anderson who has similar sensibilities in writing. In this project, I feel the joy and exhilaration of meaningful human connection as well as the pleasure of kinetic response in painting.

I hope you can join us this Saturday, October 17, at 7 pm at the Raven Gallery in Pewaukee, WI

Judith

Sunday, June 28, 2009

Do any of you have an item you just can't throw away? Well so do I. OR is it Junk and I am in denial?

Do any of you have an item you just can't throw away. Well so do I. I hold on to the memory of friendships with items we have shared together. One such item is our tea tray, which sadly broke this past Thursday while I was carrying in dinner dishes from the patio.This tray holds memories of service to friends and family served tea and special coffees and pie around the table. It holds memories of laughter and stories and heart break in summer, winter, fall .... I hope we can repair it. Most of all it was made by my husband some twenty plus years ago.I have other such memory with a recipe storage book that is falling to pieces. It was a wedding shower gift from one of my favorite aunts, Aunt Christine, whose middle name I have. As a young girl, I was impressed with her kindness and elegance. She taught me how to set a table. She taught me how to create things. She taught be that I could create beautiful things. Yet the recipe book cover itself is more sweet than I prefer, every time I use it I think of her.

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Monday, June 22, 2009

34/40 Paintings a Day for 40 Consecutive Days- Birthday Girl II

Birthday Girl II
6" x 7.25"
Watercolor on Paper
$75

This has been a tough Father's day.
My darling, my heart.

"But Zion said, 'The Lord has forsaken me,
the Lord has forgotten me.'
' Can a mother forget the baby at her breast
and have no compassion on the child she has borne?
Though she may forget,
I will not forget you!
See, I have engraved you on the palms of my hands;
your walls are ever before me...'
Isaiah 49:14f

Sunday, June 21, 2009

A Son, a Dad, and a Treasured Friend

This link is sent to you from http://thestory.org

You are receiving this mail because someone read a page at
The Story from American Public Media
and thought it might interest you.

It is sent by judithreidy@sbcglobal.net with the following comment:
"I heard this program this past Friday and thought it presented two stunning stories, one about a father's love for his children and the second the desire of a young man's love for his father. I found it very interesting how the young man grew up always longing for time with a busy father who left the family when he was seven. It was interesting how the father and he came together when the father retired.



Listen to the stories yourself."

A Son, a Dad, and a Treasured Friend

A father of eleven reunites with the man who helped him settle and gain citizenship in the States. Also, the restoration of an old building brings life back to a father-son relationship.

http://thestory.org/archive/the_story_799_Braceros_Diploma.mp3/mediafile_view

--
webmaster

33/40 of 40 consecutive Day Painting a Day - Birthday Girl


Birthday Girl
6" x 8"
Watercolor on Paper
$75

Once a little girl full of delight had a birthday party.
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Tuesday, June 16, 2009

29/40 of 40 Consecutive Paintings a Day - Kelly Lake Dock


Kelly Lake Dock
8" x 6"
Watercolor on Paper
$75

Today, I took my small inflatable boat onto to Kelly Lake, rowed across the lake and tied my boat to a raft and began this painting. I worked on it until the rain came down heavily.
Then I rowed to shore loaded the boat and went home.

This secluded lake is a hidden gem in Hales Corners... my little Eden where I can go to decompress.
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Monday, June 15, 2009

Appeal to Find our Lost Cat - Oliver



Indoor Cats can get very scared when they are lost outside, CATATONIC scared.
They try to hide in bushes or in some secluded site. They are often so afraid that they won’t come near even their owners. They can scratch or bite out of fear. Oliver, our cat, normally is very loving and gently persistent, but has a skittish nature in strange new environments...like being outside or with strangers. Normally he hides when strangers visit. He has been friendly with a few.
If you see him,
please call us at 414-529-1624
We live at
5715 South 115th Street
Hales Corners, WI


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Tuesday, June 09, 2009

Painting 22 of the 40 Consecutive Painting a Day Challenge - Road Uphill at Malin Head 2


Road Uphill at Malin Head 2
16" x 20"
Pastel on Museum Board
$450

I have done several studies for this piece, some in painting a day. Today I complete the big one.
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Thursday, May 21, 2009

Painting A Day 3/40 Abandoned Home

Abandoned Home
6" X 8"
oil on panel
$75
to Purchase contact Artist

This lonely old structure was lay empty on the side of the road in Malin Head on Inishowen Pennisula of Donegal of the Republic of Ireland.

I remember walking through it on the worn floor and looking at the ashen fireplace. thinking people lived in here, ate their meals, slept, made love and maybe placed flowers on the widow sill.
Yet now it was empty....abandoned perhaps because of fire in the chimney or in their hearts.

What secrets do these silent walls have to tell?

This is painting 3 of 40 in the 40 consecutive day challenge.




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Wednesday, May 13, 2009

In a Moment

I initially wrote this poem last week and finished it today.

Though many of you have commented about the beautiful thoughts in my poems, which I appreciate, I do not want to give you an unbalanced picture.

Mothers are human... that is not paragons of virtue as some greeting cards would indicate.


In a Moment

In a moment
By discord, sweetness is broken
Words like arrows pierced
Defeated heart
Deflated
Weak knees
Sick feelings inside
Thwarted desire
to heal
to reach out
the broken.

there...
left

on the ledge
alone
No
fullness
just
skin and bone
bitter.

BUT
I forgot
...loved
I am.
...nevertheless

Monday, November 17, 2008

Legacy of Life Endured in the Light of Lightweight PR



November 17, 2008



I have not made many thoughtful entries in this particular blog as well as my other blogs recenty, partly because life
has taken hold of me and driven me to pursue other avenues of communication.



I am trying to be practical and pursue marketing my artwork and my arts administration opportunities, while I paint on deadlines for
exhibition's where I intend to sell my work. I arrange exhibitions for other artists and serve as a website facilitator for a gallery while at the same time I am starting an entirely new business this fall which is in itself an exciting adventure. In addition, I have a son who as a senior in high school needs my chauffeuring to his events like football practice, games until he positions himself to acquire his driver's license.etc.


Part of me is very glad I am dizzyingly busy. So busy, I cannot feel the separation of growing children as acutely. My life had been my children, my family. Discussion and activism in geopolitical issues or developing a body of artwork and even building my new company hold a measure of importance in my life. They, I understand have their particular unique fascination, but I recognize that they do not nor cannot occupy the same place in my heart and dreams as do the people in my family, my kin. Even as I have tried to fill my life with these other things, my longing for my family being a community one in spirit and heart has never diminished. The pain of my family’s growing diaspora gnaws at my soul, draining the life from me. The more I do to bring things together the more acutely aware I am of my family member’s desire to be removed from one another, their home and their roots, their parents. Perhaps this is just an inevitable but passing transition into adulthood for them. But I wonder if it is in fact what I have come to see it as that fruit of the fickle reward of wealth, education and upward mobility, the dream of the American way. Little did we know how much we cast aside when we set our children on the American path of success when we should have inculcated love and tenderness toward one another rather than ambition and adventure.


How does this relate to my art? My technical art skill has improved greatly over the years.. My art imagery has not drawn its ideas from my family as much as from the dream of community lived in the light of truth and love.


I am afraid to place my mind’s eye on the pain of separation for hours on end while I focus on meticulously painting of a “telling story of separation and fracture.” Besides who wants to buy a painting of a “telling a story of separation and fracture?”


Besides for mental survival, I favor keeping my heart and mind on “hope” of renewal and restoration. Neverthless, I prefer living in the truth of the moment rather than making life's reality with mere good PR of putting on a happy face.


Lately I think I may have a new opportunity to “tell the truth in a life story full of pathos amidst hope,” now that my mother, who is in her declining mid eighty’s, has come to stay with me for an extended visit. I see I can compassionately tell a story of separation and fracture.” Somehow, this story, which is so real before me in its human frailty, is striking with hope and beauty because I can be a part of her life at this time. I can laugh and cry and with her and she with me.



I will, in the next months, begin drawing and painting her and her aging friends and surviving brother, etching lines in a legacy of friendship and endurance that I have been privileged to experience through the life of my mother, whom my children have called “Grandma.”


Judith