Showing posts with label dying alone. Show all posts
Showing posts with label dying alone. Show all posts

Thursday, September 01, 2011

Komen Ribbon Completed

Front of Friends

Back of Friends

Here are the finished Ribbons without the base. The ribbon to be on display at the local Kohl's Department Store in Oak Creek in September and October, accept for a time where this sculpture and others will be along the route of the Susan G. Komen Race for the Cure, September 25th. At the end of October there will be a national auction of the 17 sculptures, including my , Judith Reidy's 'Friends'.

I hope that my sculpture, Friends, will end up in a hospital or cancer care center to serve as an inspiration and encouragement to cancer patients and their families.
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Tuesday, May 18, 2010

A R Ammons - a poet I discovered.....

Ammons, the American poet, had a brother who died at a young age....the event shaped his life....
The pair of birds in flight ...their tested routes .....their return and return.....
consider the authors journey....'

Easter Morning

A. R Ammons

I have a life that did not become,
that turned aside and stopped,
astonished:
I hold it in me like a pregnancy or
as on my lap a child
not to grow old but dwell on

it is to his grave I most
frequently return and return
to ask what is wrong, what was
wrong, to see it all by
the light of a different necessity
but the grave will not heal
and the child,
stirring, must share my grave
with me, an old man having
gotten by on what was left

when I go back to my home country in these
fresh far-away days, its convenient to visit
everybody, aunts and uncles, those who used to say,
look how hes shooting up, and the
trinket aunts who always had a little
something in their pocketbooks, cinnamon bark
or a penny or nickel, and uncles who
were the rumored fathers of cousins
who whispered of them as of great, if
troubled, presences, and school

teachers, just about everybody older
(and some younger) collected in one place
waiting, particularly, but not for
me, mother and father there, too, and others
close, close as burrowing
under skin, all in the graveyard
assembled, done for, the world they
used to wield, have trouble and joy
in, gone

the child in me that could not become
was not ready for others to go,
to go on into change, blessings and
horrors, but stands there by the road
where the mishap occurred, crying out for
help, come and fix this or we
cant get by, but the great ones who
were to return, they could not or did
not hear and went on in a flurry and
now, I say in the graveyard, here
lies the flurry, now it cant come
back with help or helpful asides, now
we all buy the bitter
incompletions, pick up the knots of
horror, silently raving, and go on
crashing into empty ends not
completions, not rondures the fullness
has come into and spent itself from

I stand on the stump
of a child, whether myself
or my little brother who died, and
yell as far as I can, I cannot leave this place, for
for me it is the dearest and the worst,
it is life nearest to life which is
life lost: it is my place where
I must stand and fail,
calling attention with tears
to the branches not lofting
boughs into space, to the barren
air that holds the world that was my world

though the incompletions
(& completions) burn out
standing in the flash high-burn
momentary structure of ash, still it
is a picture-book, letter-perfect
Easter morning: I have been for a
walk: the wind is tranquil: the brook
works without flashing in an abundant
tranquility: the birds are lively with
voice: I saw something I had
never seen before: two great birds,
maybe eagles, blackwinged, whitenecked
and headed, came from the south oaring
the great wings steadily; they went
directly over me, high up, and kept on
due north: but then one bird,
the one behind, veered a little to the
left and the other bird kept on seeming
not to notice for a minute: the first
began to circle as if looking for
something, coasting, resting its wings
on the down side of some of the circles:
the other bird came back and they both
circled, looking perhaps for a draft;
they turned a few more times, possibly
risingat least, clearly resting
then flew on falling into distance till
they broke across the local bush and
trees: it was a sight of bountiful
majesty and integrity: the having
patterns and routes, breaking
from them to explore other patterns or
better ways to routes, and then the
return: a dance sacred as the sap in
the trees, permanent in its descriptions
as the ripples round the brooks
ripplestone: fresh as this particular
flood of burn breaking across us now
from the sun.

Saturday, February 13, 2010

Time and Strength Slip Through our Fingers.

Fallen for You

From Dust

Fallen Again
I began in the previous post...."As I have explored the effects of light burning away the mists, I have considered what it is in the imagery that has fascinated me..."

but that was not it.

Hearing those rattling cages, I gather my recent work in my “From dust to Dust” series has created quite a stirring reaction from many of you, . Good!

I have been stirred up and the work is a bi-product….but the motivation behind the work may not be what you may think. I am passionate about the stunning reality of the transformations and troubles of the unsettled dust of the past several months because…

“She held out her arms and pulled me toward her…. “

In mid- December a woman arrived to be a guest in my home for the holidays. She is an unbelievable delight..always an encouragement. For one she has always been the one who said I could do anything. She was my first art patron. Everyone has a mother, even artists.

At the time of her recent arrival, she seemed more unsteady on her feet than at her last visit. As the month past, her ability to walk declined rapidly, until now her walker is her constant companion.

Her falls began daily as she would attempt to rise or sit or turn, until I stood guard spotting for her at each step. When she collapsed in my arms, I then understood I could not support her with my strength nor was I capable of being her main and only guard.

I saw time and strength slip through our fingers.

It is out of this context and the ensuing struggle that my new series “From Dust to Dust” took shape. As I wrapped my arms around her frail body and bathed her back while she clawed herself through the day in and out of her bed or chair, I saw time and strength slip through our fingers.

I ask why. I hear reasons, but they are not fitting into our Madison Avenue view of life. They are not tidy. My religious conviction prepared me, but only the reality of being with her gave me understanding.

At night, I tucked her into her covers, she held out her arms and pulled me toward her to gently kiss me with her quivering lips, holding me so tightly for ever so long … then whispering, “Thank you, Judy;… I love you.”

Yes from dust we came yet, most assuredly to dust we will return. While “From Dust” may declare the glory of our bodies, “Fallen Again,” returns us to the troubles of living in a world gone awry.

My mother had to move to a place where she could be assisted with every task and where staff were prepared to carry her.



Thursday, February 04, 2010

Introducing From Dust to Dust

Fallen for You

From Dust

Fallen Again
As I have explored the effects of light burning away the mists, I have considered what it is in the imagery that has fascinated me. Why was I so drawn to the light and the void of darkness burning away by the light. At the same time I began drawing the people around me. I especially enjoyed doing line drawings of my mother, catching her sighs and her groans and joys in the lines on her face and in her hands and arms. I felt the imagery of real people and the landscapes needed to be brought together as they are in life. I began seeing the human bodies rising out of the earth as new landscapes approached by light, yet oblivious to the light. I have more to consider and discover in this new direction.

I hope you will join me on this adventure.
See the new work at the Wisconsin Pastel Artists Exhibition "Falling for You" at the Art Bar.


Friday, October 23, 2009

Leaves: Judith Reidy's Painting and Paul Anderson's Poem

Ten Poets, Ten Painters: One Vision
painting by artist, Judith Reidy

Leaves

by Poet, Paula Anderson

A slight breeze brushes the green leaves,
a reminder of summer’s crossing,
the green lobes of the oak leaf
polished and glistening liked waxed fruit
will crinkle from water loss like the rest of nature aging,
no tarted up polyurethane for you,
later gawkers at your colors, leaf peepers,
and you blind to adulation,
knowing no one can re-live what isn’t known.

But we know lost passion.
It remarks on wrinkles like withering
strawberries ripe and red,
losing taste and succulence,
not a single mouth wants you.

A season can be enough to rage the soul.
Memories tied to a face tattooed with mold
but those are hard to understand,
when words for you are the mist of warmth––
breath to push away the fate of winter.

Saturday, October 17, 2009

Tonight is the Night for One Vision

Tonight, Saturday, October 17,
"Ten Poets, Ten Painters, One Vision"
Program
at the Raven Gallery
in Pewaukee at 7pm

I am disclosing more of the image of my painting now.
My painting "Leaves" will be completely revealed at the exhibition this evening.

Join us!

Wednesday, October 14, 2009

Judith Reidy in One Vision at the Raven Gallery

Our gathering should provide an enriching and interesting evening this Saturday, October 17, 2009, at the Raven Gallery: the spot light being the reading of the poems by the poets and the presentation of the accompanying paintings.

Hope to see you there.

Friday, October 09, 2009

My Motivation for Joining the One Vision Project

I am currently part of a collaborative poet/painter program that began this summer. We are having our first presentation this October 17, at 7 pm, at the Raven Gallery outside of Pewaukee on Capitol. I would like to invite you to the poetry reading and the viewing of the artwork.

View today's further uncovering of the piece.


I liked working with my poet, Paula Anderson. I found a poem that she wrote expressed emotionally what I had sensed in making a drawing a few years ago.
As she expressed sensibilities in her poetry, I was happy to develop my complementary idea further in making a painting. I found this to be one of the most emotionally honest pieces about being an aging woman; I would like to do more collaboration.

However, the idea is not very pretty, and therefore not appealing to those,
which is most of us, who are hesitant to face reality. As an artist who attempts to be honest, I identify with the dilemma of the woman, who is aging. I realized that Paula and I had a common thought on the subject so the project did not seem like illustration, but a natural shared response to life. I liked the common bond it forged between Paula and I.

I would like to meet with other poets and artists and do more of this sort of thing.
I hope you can come, perhaps you would like to be part of the next event sharing in our expressed experiences. Perhaps you have a poem or a creative exploration to share in the future. Let us know. Please don't be shy. I would love to see you.

Judith Reidy


Artist Judith Reidy and Poet Paula Anderson in Lake Country Project in TEN ARTISTS TEN POETS ONE VISION

Each day a square hiding the image
will be removed until Judith Reidy's painting will be exposed.

click on the image below

See the painting in person at the event
as well as hear

Paul Anderson's inspiring poem read by the poet herself.

Judith Reidy and Paul Anderson
invite you
to


Join us
Saturday, October 17, at 7 PM
at the Raven Gallery
read
the detailed description in
Lake Country Living



Sunday, June 21, 2009

A Son, a Dad, and a Treasured Friend

This link is sent to you from http://thestory.org

You are receiving this mail because someone read a page at
The Story from American Public Media
and thought it might interest you.

It is sent by judithreidy@sbcglobal.net with the following comment:
"I heard this program this past Friday and thought it presented two stunning stories, one about a father's love for his children and the second the desire of a young man's love for his father. I found it very interesting how the young man grew up always longing for time with a busy father who left the family when he was seven. It was interesting how the father and he came together when the father retired.



Listen to the stories yourself."

A Son, a Dad, and a Treasured Friend

A father of eleven reunites with the man who helped him settle and gain citizenship in the States. Also, the restoration of an old building brings life back to a father-son relationship.

http://thestory.org/archive/the_story_799_Braceros_Diploma.mp3/mediafile_view

--
webmaster

Tuesday, June 02, 2009

15/40 Painting a Day for 40 Consecutive Days - Mr Mendon


Mr. Mendon
10" x 12"
Watercolor and Ink
not for sale

This is my neighbor. He is a remarkable guy, weathered with construction work and many years of raising a family.

I love gray paintings. I like messy lines for drawings of gruff no nonsense workers. This is not a "pretty picture of a pretty face." I like the abstract beauty of the lines and the washes. I feel like I have captured his spirit in the spontaneity of the line.


Now back to my other life that weaves into my art life.
Here we go! The next few days shall be very busy, with traveling to pick up Grandma up north and graduation preparation.

It is just too uncanny. I have a call for arranging an exhibition on the east side in a gallery spot, a journalist, Bonnie North, offered to pose for a moody window portrait, a slew of new listings for the Griffin Gallery website. and a request from a high school friend for a reunion visit all this week. Oh, when it rains it pours. How I wish I could divide myself up and do it all at once. But not possible. It will get done but not this week.
But I will get it done.
Now for tonight, I am going to work with my son on his display poster of "his Life" thus far. It should have been done yesterday, but who is keeping track. :)
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Wednesday, May 13, 2009

In a Moment

I initially wrote this poem last week and finished it today.

Though many of you have commented about the beautiful thoughts in my poems, which I appreciate, I do not want to give you an unbalanced picture.

Mothers are human... that is not paragons of virtue as some greeting cards would indicate.


In a Moment

In a moment
By discord, sweetness is broken
Words like arrows pierced
Defeated heart
Deflated
Weak knees
Sick feelings inside
Thwarted desire
to heal
to reach out
the broken.

there...
left

on the ledge
alone
No
fullness
just
skin and bone
bitter.

BUT
I forgot
...loved
I am.
...nevertheless

Monday, November 17, 2008

Legacy of Life Endured in the Light of Lightweight PR



November 17, 2008



I have not made many thoughtful entries in this particular blog as well as my other blogs recenty, partly because life
has taken hold of me and driven me to pursue other avenues of communication.



I am trying to be practical and pursue marketing my artwork and my arts administration opportunities, while I paint on deadlines for
exhibition's where I intend to sell my work. I arrange exhibitions for other artists and serve as a website facilitator for a gallery while at the same time I am starting an entirely new business this fall which is in itself an exciting adventure. In addition, I have a son who as a senior in high school needs my chauffeuring to his events like football practice, games until he positions himself to acquire his driver's license.etc.


Part of me is very glad I am dizzyingly busy. So busy, I cannot feel the separation of growing children as acutely. My life had been my children, my family. Discussion and activism in geopolitical issues or developing a body of artwork and even building my new company hold a measure of importance in my life. They, I understand have their particular unique fascination, but I recognize that they do not nor cannot occupy the same place in my heart and dreams as do the people in my family, my kin. Even as I have tried to fill my life with these other things, my longing for my family being a community one in spirit and heart has never diminished. The pain of my family’s growing diaspora gnaws at my soul, draining the life from me. The more I do to bring things together the more acutely aware I am of my family member’s desire to be removed from one another, their home and their roots, their parents. Perhaps this is just an inevitable but passing transition into adulthood for them. But I wonder if it is in fact what I have come to see it as that fruit of the fickle reward of wealth, education and upward mobility, the dream of the American way. Little did we know how much we cast aside when we set our children on the American path of success when we should have inculcated love and tenderness toward one another rather than ambition and adventure.


How does this relate to my art? My technical art skill has improved greatly over the years.. My art imagery has not drawn its ideas from my family as much as from the dream of community lived in the light of truth and love.


I am afraid to place my mind’s eye on the pain of separation for hours on end while I focus on meticulously painting of a “telling story of separation and fracture.” Besides who wants to buy a painting of a “telling a story of separation and fracture?”


Besides for mental survival, I favor keeping my heart and mind on “hope” of renewal and restoration. Neverthless, I prefer living in the truth of the moment rather than making life's reality with mere good PR of putting on a happy face.


Lately I think I may have a new opportunity to “tell the truth in a life story full of pathos amidst hope,” now that my mother, who is in her declining mid eighty’s, has come to stay with me for an extended visit. I see I can compassionately tell a story of separation and fracture.” Somehow, this story, which is so real before me in its human frailty, is striking with hope and beauty because I can be a part of her life at this time. I can laugh and cry and with her and she with me.



I will, in the next months, begin drawing and painting her and her aging friends and surviving brother, etching lines in a legacy of friendship and endurance that I have been privileged to experience through the life of my mother, whom my children have called “Grandma.”


Judith